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     26th July at Barista
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Cast: Simran Vaid, Rohini Hattangadi, Paramveer,
           Ashish Duggal
Year: 2008
Music: Sandarbh
Lyrics: Sandarbh
Director: Mohan Sharma
 

Rounding up all strugglers who could be found, making them sit in a coffee shop and then going hunting for a script is not the best way to make a movie, but this is what Mohan Sharma seems to have done with '26th July at Barista'. Amazing, that nobody before Sharma (and his writer Rahil Qazi) saw the potential of making a movie with July 26 (the day Mumbai was flooded after a deluge of rain, and many people lost their lives) as a backdrop, and what a pity the film turns out to be. If there were any people in the cinema hall at all, it must have been because they had nothing better to do or they remembered that day of horror and wanted to see what the filmmaker had done with it.

 
After the mandatory voiceover, Sharma collects a rather clueless bunch of random people at a coffee shop, with kind and helpful staff (the likes of which this reviewer has never encountered at Barista!).  You don't know what hour of the day it is, presumably late afternoon, by which time the city was already deep under water; but some people walk in and out, as if nothing happened, and some look terror-struck.

There's a worried Sikh couple, waiting for their kids' news,  who went for a picnic,  a film writer,  a struggler, two singles

 
looking for love, some others, who wander away never to be seen again. The struggler sits like a statue in corner with her legs crossed, the Sikh woman wails sporadically, the writer glares at everyone, and the singles alternately flirt with each other or try to help others caught in the downpour.  At some point the power goes off,  but since they couldn't shoot in the dark, an urchin drops by a cache of fat candles, because, as he says, his life is in the dark. 'Oh, and you still spread light,' says someone.
 
  Absurdly, a cop strolls in to investigate a robbery in a bank next door and terrorizes everyone; a gang-rape victim comes in sobbing to express concern for the men who did it, because she has AIDS! And so on. everything about the film so laughably inept. As a break from the bunch of unknowns, he casts Rohini Hattangady, Raju Kher and Amita Nangia getting a scene each.  And then the film ends as abruptly as it started, with none of the stories getting any closure.  The trauma Mumbai went through in the monsoon of 2005 deserved a much better film, but where are all Bollywood's

self-proclaimed auteur when you need them?

 
 
 
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