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FEATURED REVIEWS |
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Delhii Heights - 'No Heights' |
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MUSIC |
PREVIEW |
MUSIC REVIEW |
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Tum Itna Bolke
Thak Nahi Jaate - this concluding statement by Neha Dhupia when
Jimmy comes to ask forgiveness from her pretty much sums up what
DELHII HEIGHTS is all about. There is so much of talk with less of
drama and some meaningful action happening throughout the course of
the film that it is but obvious for an audience to get restless. To
top it up, there are some real strange things happening as a part of
the film's screenplay. Some scenes go on and on and on like the
climax or the one where a confused Simone Singh tries to make
audience even further confused in her 'I will live with you/I will
not live with you' conversation with her flirting husband Rohit Roy. |
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On the other
hand some of them just get over when one thought that there is some
conversation about to build up. Yet again Simone's scenes take the
cake as she tends to make abrupt exits, especially in the eateries.
First she catches the 'living in forever and just married' couple
Jimmy and Neha in a 'Yo China' kinda joint and excuses herself
suddenly before one could say 'momo'. Later when she sees Neha
browsing idly in an outdoor coffee joint, she comes, delivers a
'thank-you' note for Neha's 'ideal marital' life being her
inspiration and then says tata! Ok, so thankfully it is not too much
about the 'times and tribulations of three couples' kinda drama.
Frankly we had enough of it. But even as Jimmy/Neha have been thrust
upon the responsibility of anchoring a film with Simone/Rohit and Om
Puri/Kamini being at the peripherals, there is hardly any
interesting sequences that stay with you. The beginning is extremely
lukewarm even as a bored narrator tries to get the film started with
a clichéd saga of 'saddi dilli' and stuff alike. You expect the film
to take off but the direction seems to be so loose with disjointed
sequences and extra long pauses between one scene and another that
one wonders if you are watching a television soap instead. |
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It
could have been an absolute mayhem if the performances
by Jimmy Sheirgill, Neha Dhupia and Om Puri wouldn't
have been competent enough. While it is now as expected
to see Jimmy perform even the most half baked roles [as
the one here] with fill conviction, what really comes as
a delight is Neha's comfort in front of the camera. To
her credit, she is least conscious of the camera as she
performs her most natural performance ever. If in JULIE
she was required to be all fiery, here she is subtle and
convincing as a Delhi woman who is trying her best to
balance between her demanding corporate circles and a
husband who for some strange reasons isn't even willing
to talk in order to solve the misunderstandings that
have crept in. And to think of it, they are shown to be
knowing each other for 5 years! |
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There are just no ups and downs in the film. Just when
you thought that there would be some interesting moments
after the interval where Jimmy starts suspecting Neha of
having passed on some critical contract details to her
own company, he just stops talking to her. Worse, she
goes to her parents place and that only brings something
to cheer about [how selfish of us!] as the best 5
minutes of the film come in the form of the delightful
song 'Tere Bin' by Rabbi. |
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In
the interim, there is not much movement in the graph as
Rohit gets back to Simone [how else but after an
accident], Om Puri finally dancing to the 'dhol' on the
occasion of marriage of his daughter, a bookie [Viveik
Shauq who is acting silly, laughing silly and overall
sounding very silly leaving his bookie business behind
after being caught by the police], Madhavan yes, he
plays himself in a special appearance signing the best
of the two contracts and last but not the least the four
teenagers of the apartments continuing to play their
pranks each of the revolving around girls! |
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End
of story. Finito. So what was the story by the way? Last
but not the least, how different would have the viewing
experience being if the film was set in Sri Lanka? Why
Delhi - with an extra 'i' in the film's title? One
single factor which is the best part about the film is
its art direction. Setting up opulent interiors has been
a hallmark of Karan Johar films. He could as well take a
cue from DELHII HEIGHTS when it comes to urban interiors
since they are the best ever seen in a Hindi film. Each
and every room has been imaginatively, yet naturally
decorated in the film. Also, it goes with the
characterization. So while Jimmy and Neha have a
tastefully done living room and a bedroom with great
woodwork, some nice paintings on the wall and fine
movable furniture, Om Puri's house has that typical
Mughlai decor that is oh-so-royal when it comes to a
generation gone by in Delhi. Rohit and Simone's house is
done up neatly too with vibrant colors while bean bags
and some plush couches are the highlights of the place
were the teenagers stay. If not anything else, the film
could act as a handbook for up market interior
decorators! |
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It needs some
lukewarm happenings on the screen to make you long for a film to get
over even if it is under 2 hours of duration. Well, DELHII HEIGHTS
just achieves the impossible. |
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