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FEATURED REVIEWS |
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Apna Sapna Money Money |
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MUSIC |
PREVIEW |
MUSIC REVIEW |
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Subhash Ghai - A film maker who has never got
it wrong when it comes to the music of his films Sangeeth Sivan - A
director who gave a surprise teen hit in the form of 'Kya Kool Hain
Hum' last year Pritam - A composer who is churning out one hit after
another, whether it is urban pop or 'desi' melodies Ritesh Deshmukh,
Shreyas Talpde, Celina Jaitley, Koena Mitra, Riya Sen - A team that
gives a fresh 'n' young look to the entire project And together they
croon what the entire world has to say: APNA SAPNA MONEY MONEY! |
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An elaborate arrangement is the name of the game for 'Aey Ganpat
Baja Na', a 'ganpati' song for which Pritam deserves brownie
points for his different treatment. While conventional beats heard
during 'ganpati' celebrations are all there, Pritam brings such a
high charged Indian-Western fusion mix to his arrangements that one
has to admit that this is a much better tune to dance to than 'Moreya
Re' in 'Don - The Chase Begins Again'. The track is mainly a musical
theme piece with only one line coming in intermittently - 'Aey
Ganpat Baja Na' - with rest of it being mainly an amalgamation of
different musical instruments. |
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Shabbir Ahmed is the lyricist for the soundtrack of this film which
begins with homage to one sole factor that runs the world - MONEY!
Come; rock the show - that's the call of 'Jai Jai Money.... Apna
Sapna Money Money'. A superb item/title song all the way in the
way it has been conceptualized, arranged and presented, the entire
team behind the track needs to be complimented for coming up with
something that doesn't have a single dull moment and is an instant
attention grabber. |
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Pritam, as we know him from the pop 'n' rap '
reggae world from the days of 'Dhoom', 'Chocolate', 'Ek
Khiladi Ek Haseena' etc., is back in his elements with 'Paisa
Paisa' which has an international feel to it and
it's difficult to imagine that you are hearing a song
from a Hindi film. Except for the Hindi lyrics in the
middle [which are far and few] that are sung by Suzzanne
D' Mello, the song is so Western that you tend to
appreciate Pritam's versatility as a composer. Humza
croons the words 'Paisa Paisa' in this hip-hop track
that has an amazing Middle East flavor to it with a
Western theme running throughout. The song is sort of a
sequel to 'Apna Sapna Money Money' and turns out to be
worthy successor. A point to add - its picturisation is
glitzy too with the starcast adding on the glamour
quotient. A faster remix version comes next which has
Suzzanne much more prominent that the original due to
the way she has been placed. Second remix is more
innovative due to the 'club' feel it brings along and
hence gets an extra point for being more innovative. It
starts off purely as an instrumental with the voices
being heard quite late in the day. A winner for the
dance floor! |
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A grand announcement is made for the arrival of one of
the most interesting characters of the film - Sania
Badnaam [Celina Jaitley]. While Bob does his
rap'n'reggae while laying down the red carpet for Sania
Badnaam, Sunidhi Chauhan is the voice for the
protagonist who has no qualms about herself being the
biggest con-woman of all! A rocking track with trademark
Pritam feel to it, it is western, it is rhythmic and it
is fun. Surprisingly there are traces of 'Dil Tera
Badmaash Hai Karta Hai Badmaashian' ['Shart', starring
Tushar Kapoor and Amrita Arora] that was composed by Anu
Malik, though one may leave it as more of a coincidence
since 'Dil Tera' was hardly heard when released and was
nowhere near being popular. An item song by all means,
this one is again for the youth! |
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Music of 'Apna Sapna Money Money' can be
described in two words - SHEER FUN! It has so much of funk, masti
and mazaa to it that you hardly realize when this hour long album
began and ended. A non stop mix of 'desi' and 'videsi' tunes that
are so catchy, they are high on decibel value but equally high on
entertainment quotient too. It's only after hearing the album that
one realizes that there has not been a single hero-heroine-pyaar-mohabbat-naach-gaana
song coming in, and in spite of that the track is so much fun. One
of the rare situational albums that works end-to-end on basis of its
item songs, and that too in a big way. |
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