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Cast:
Dino Morea, Milind Soman, Sheetal Menon, |
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Simone Singh, Chetan Hansraj |
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Year:
2008 |
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Music:
Raghav Sachar |
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Choreographer:
Ganesh Acharya |
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Screenplay:
Bhavani Iyer |
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Presenter:
Nari Hira |
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Banner:
Magna Films |
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Producer:
Nari Hira |
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Director:
Pawan Kaul |
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Last
year, new kids-on-blocks Siddarth-Suhas made impressive
presence with DIL DOSTI ETC and now they stream out with
this year first promising (if not chartbusting) attribute in
genre of low profile and budgeted entertainers. The composer
duo tries to match the quality and standards of Pritam but
ends up with couple of above average hip-shaking and trendy
tracks. Pritam makes striking presence with much inspired "Jaane
Kyun" and makes it icing on the top for this above average
musical affair. |
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Track 1
- Jaane Kaise Hai Tu Young and reverberating
voice of Shaan gets into Indi-pop musical binge in
emoting out typical 'campus' love in the youthful
rock cum jazz feel track Jaane Kaise Hai Tu. The
song has flimsy Indonesian rock buzz in its guitar
strumming along with zany choral works
("Ho-ho-ooh-oh") but the enthralling punch
experienced in "Kya Mujhe Pyar Hai" is missing. This
Shaan's finely gesticulated act comes out to be
cropper as per his present high standards and a
mediocre sounding yuppie loving situational track
for the album |
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Track 2
- I Am
A Bad Boy Pritam had fabulous history of delivering
"spoilt-brat" musical amusement ("Bad Boy" (PYAR KE SIDE
EFFECTS)) and "I am bad boy" from new kids Siddarth-Suhas
joins this bandwagon with its trendy and outrageous feel and
impulse. The track has snazzy rave party binge where one can
expects sluggish paced music streaming out with the
booty-shaking acts of party animals. Suraj Jagan along with
Earl D'Souza vocals jitters up, charges up and finally zooms
in with racy and hip-shaking disco beat thumps to create a
commotion on dancing floors. |
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Track 3
- Meri Akhiyan Richa Sharma's folksy baritones
contort to the pain, suffering and
resentment-singing mode in her solo singing act in
emotionally penned "Meri Akhiyan". The
melancholically penchant folklore singing track may
be finding few takers as it correlates back to
age-old Bollywood's style of sentimental thrust ("Lambi
Judai" (HERO)) delivered well in gripping moments of
the film. Richa's voice sounds too loud while the
arrangements prove to be cliched and routine for its
lackluster display. |
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Track 4 -
Lamha Yeh Jayega Kahan Siddarth Suhas had
impressive 'Lamha Yeh Jayega Kahan' (DIL DOSTI ETC)
to their credits and now there is added element of
party-enthralling maneuvers and elements in
appeasing 'Teri Aankhon Ki Narmi'. The song has
similar idealistic backdrop where the lovers'
sentiments gets emoted in a flashy and racy disco
beat delights. It also brings out the impressive
vocal chords of both Siddarth and Suhas on trial
with thriving disco stylized orchestrations.
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Track 5 -
Lagdaa Na Lagdaa KK comes out as the chose
one for similar rock cum jazz disco mode stylized
number Lagdaa Na Lagdaa with his patent rock-mode
singing flair. After Jaane Kaisa Hai Tu, this solo
number too has Indonesian rock musical buzz with
some delightful flute and piano rendition and
peculiar sounding chorals in the backdrop.
Track
6
- Jaane Kyun Tanha Ho Gaye "Band Metro" rises
from the ashes! Pritam brings back the eclectic mix
of Baul |
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(Bengal's folk music) and rock style music (earlier
experienced in Bheege Bheege (GANGSTER)) in the
album's most impressive and heart-piercing poignant
track Jaane Kyun Tanha Ho Gaye. Ironically this
remarkable number wrote this low profile flick into
plagiarism controversy but now credits has been
given to Late Gautam Chatterjee's Bengali song,
Ghare Pheraar Gaan in its music release. This 70's
rock band inspired track has resonating and
remarkable Sonu Nigam at the helm of affairs with
some mesmerizing wording and gripping orchestrations
as amiable supports. The sluggishly paced
traditional 'Baul' cum "rock" style of
orchestrations is the innovatively striking feature
of the song that brings memories of Pritam's finest
tracks like Rishtey and Alvida (LIFE IN A METRO) to
mind. It's likely to be adding many sentimental hues
in the love story entrenched in this dark noir
stylized thriller and will be the biggest striking
feature of this low profile album.
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BHRAM
impresses to large extent but cannot be termed as
mind-blowing for its routine thriving and upbeat musical
zest created in tracks like I am a bad boy, Teri Aankhon Ki
Narmi and Lagdaa Na Lagdaa. Pritam's Jane Kyun Tanha Ho Gaye
lifts the spirits of the album for its noteworthy display
but still it fails to be as striking as his last few
chartbusting tracks. Siddarth Suhas still falls short of one
'ground-breaking' success that can prove their worth and
merit as reliable and bankable composer in the marquee. |
