Track 1 Crazy Kiya Re marks an apt start to the album and is an instantly catchy number. Opening with an English chorus, Sunidhi Chauhan quickly takes over and is at her vivacious best. ‘Sexy lady on the floor, keeps you coming back for more’ sings the chorus and rightly so as the sensuous voice of Sunidhi makes you come back to this track for more. Pritam’s music is familiarly unsophisticated and yet amazingly appealing. It won’t take you long to get on the dance floor and groove your leg. There’s nothing exceptional about Sameer’s lyrics with the usual ‘chori kiya, jhoome jiya, crazy kiya’ rhymes but then who’s complaining. Crazy Kiya Re isn’t a lyric based song but makes you crazy with its zippy music and zany singing. You love it in its entirety and think that it can’t get better until you come across the remix.

Track 2 The Remix version doesn’t serve anything new from the original apart from the regular disc scratching breaks, added rapping and a faster pace. But then Dhoom is all about pace and that essentially acts as the USP of this track. Remixed by Bunty Rajput (who was also the song programmer of Dhoom), what sets the remix apart is the accelerator vroom reverberation just before the end of every verse, thereby giving it a speeding effect.

Track 3 Next Dhoom Again is the much awaited title track of the Dhoom sequel. Pritam always quoted that the pressure was immense on him to recreate the magic of Dhoom. To maintain the trademark touch from the original version and yet create a new identity for the title track wasn’t an easy task. Moreover while the original was a female track, he primarily hands over the mike to a male singer this time. The choice of Vishal Dadlani as the lead singer of ‘Dhoom Again’ comes as a surprise. Not because Vishal is a composer himself but because the husky and deep-base voice that he is known for (‘Sholo Si’ in Shabd or ‘Mama Told Me’ in Ek Ajnabee) isn’t used to that effect. Instead Pritam makes him sing rather clear-throated. Dominique Cerejo gives him good company as the female voice.  Starting with a water gushing sound and an extended percussion, the base tune of ‘Dhoom Again’ is same as the original. However, while in the prequel there were two separate versions of the title track (in Hindi and English), this time there is only one version and the entire song is composed with English lyrics. Dhoom Machale are the only Hindi words in the otherwise English song written by Asif Ali Beg. Perhaps that’s intentional to give an international feel to the music and the movie. The track is a little too heavy on percussions but perhaps the effect might show onscreen. But the major highlight of the song arrives in the form of a whistling interlude (the one heard in the opening note of the trailers) which in most probability will be the theme piece played in the background score at regular intervals. This interlude is repeated in the song after each stanza with the whistling switching to synthesizer notes. Undoubtedly this would be the most popular whistle on everybody’s lips and the theme piece promises to be a popular ringtone on mobile sets, once the music is out.