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FEATURED REVIEWS |
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Nehle Pe
Dehla - Mixed feel' factor |
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MUSIC |
PREVIEW |
MUSIC REVIEW |
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Nehlla Pe
Dehlla is one of the rare films that has actually benefited with a
delay. With its leading star cast of Sanjay Dutt and Saif Ali Khan
enjoying the best period of their career and Bipasha Basu, Kim
Sharma and Neha Dhupia still in the reckoning, Ajay Chandok may
actually be happy to finally have a debut directorial venture to his
name, even though it comes after a while. With comedies being in
vogue and film economics taking a new shape for the better, all
Nehlle Pe Dehlla needs now is some aggressive and planned publicity
with focus on film's comic elements. And if music by Anand Raj Anand
and a number of guest composers turns out to be reasonably good then
it's only more advantage for Nehlle Pe Dehlla. Well, after hearing
the album, one feels that music is actually a disadvantage for the
film! |
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Track 1,4
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Parvar Digara by K.K. and Tulsi Kumar is the first track to
arrive in this album from which one expects a youthful and peppy
score sans any romantic pyaar mohabbat songs due to the film's
genre. In that context, Parvar Digara written by Panchhi Jalonvi is
a fine beginning as Tulsi Kumar dominates the proceedings of this
item number choreographed on Neha Dhupia. Guest composer Pritam who
is in form at the moment gives another fine foot-tapping number.
Surprisingly K.K. has a limited role to play in this composition as
all he does is appear as a gap filler for the words Parvar Digara
Haara Dil Haara that aids in creating the rhythm the song. And yes,
if you hear closely, this rhythm is directly on the lines of Vishal
Shekhar's Cham Se Wo Aa Jaaye! As expected, the Remix version
comes a little while later. Since the song is anyways foot tapping,
one doesn't quite mind hearing it again with an added zing. |
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Track 2
- Hoga Hoga Khuda Gawah Sound of a crowd roaring in the
background gives an impression that is a stage number. Crooned by
Zubin Garg of Ya Ali fame, this Sameer number has a very basic rock
tune and is saved mainly by the techno arrangements imparted to it.
A club feel is given to the entire composition that more or less
camouflages the singing part. As a dance number, it doesn't have
much to offer as it turns out to be quite routine and now all
depends upon the way it choreographed and the star power that may
just manage to pull it off. |
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Track 3 -
Husn Husn Aah....it's so ordinary! One can't help
but exclaim this within a minute of hearing . A very
early 90s kind of romantic dance number for which one
saw the likes of Govinda-Karisma/Govinda-Raveena dance
on the Swiss hills or Lokhandwala streets. This Dev
Kohli written track has some preset beats running in the
background that aim at spicing up this lukewarm song but
to no avail. Also, while along with Jaspinder Narula,
Sonu Nigam has been credited as a male crooner, it
sounds more like the voice of Shaan |
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Track 5
Imaan Dol Jaayenge Tauba Re Tauba Meri Kamsin Jawani,
Ban Jaaye Na Ye Koyi Kahaani' - as soon as you hear
these priceless lines, you know what is in there for the
offering. Titled, it is an absolute forgettable number
that wouldn't have worked even 5 years back, let aside
working in 2007. An apology of a song by Sunidhi Chauhan
and Vinod Rathod that doesn't even fly as an item
number, it is so very 90s that you look back in
embarrassment at the music that ruled the roost then! |
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Track 6,10 - Nehle Pe Dehla Crooned by Shaan, title
song comes later in the day and sounds like a good candidate for a
promotional music video to be choreographed around it. With a good
neck swaying effect it has on you, this Panchhi Jalonvi written
number may not be the greatest of compositions but does well in
creating a peppy mood. An assembly of western arrangements work well
for the song of this genre which has a potential to create awareness
about the film if promoted well a fortnight or so before the film
releases. There is another version of the title song that comes next
but to one's surprise it turns out to be an entirely new composition
rather than being just a remix or a rearranged version of the title
song that came first. Lasting just a couple of minutes, this Nitin
Shankar composition seems to have been created for the opening
credits of the film. An average sounding track with not much
retention power, this Shabbir Ahmed written track has Kunal
Ganjawala and Shaan going through the motions |
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Track 7 -
Bottle Mein
Main Nehlle Pe Dehlla seems to have been an album on which work
would have started in 1980 or may be 1985! Otherwise how could one
explain a track which has Mithun Chakravorty written all over it?
Crooned by Abhijeet, Vinod Rathod and Sunidhi Chauhan and written by
Salim Bijnori, it is about a man who is drunk and the other who is
trying to make him become sober. With guest composer Dabboo Malik at
the helm, this situational number is a very quick pass and would
appeal to a miniscule segment of audience at the single screens who
still adore their Sanju baba of the 80s! |
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Track 8 -
'Dil Naiyyo
Maane Ne'Now this one has to be the first! It seems music
company T-Series is obsessed with the song since it has been
trying to incorporate this number in a film for the third time. A
duet between Himesh Reshammiya and Tulsi Kumar, it has been heard
before in the music albums of Phir Hera Pheri and Ahista Ahista but
didn't feature in any of the two films. Will they be third time
lucky with Nehlla Pe Dehlla? |
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Track 9 -
Shararati
Years back Nikhil Vinay and lyricist Faaiz Anwar had created a song
called for the small film Koi Mere Dil Mein Hai. While Shaan has
sung this song, Saumyajit Ghosh is the one to have come behind the
mike for this dance number. Lyrics of the song do not really make
you jump with excitement but the music at least makes you tap your
feet along. When compared to some very ordinary numbers preceding
it, this one is passable at the least. |
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Track 11 -
Neele Neele
Aankhon Wali
From a lukewarm album like Nehlla Pe Dehlla, one hardly expects an
impressive end. Well, this lack of expectations is held good which
is as boring as it gets. One wonders what prompted lyricist Dev
Kohli and composer Anand Raj Anand to zero in on this track? Mika
Singh and Tarannum Malik seem to be sleep walking while rendering
this drag of a song that is hard to bear beyond the first one
minute.
Nehlla Pe
Dehlla has the kind of music that can be best ignored, especially at
the very beginning of the year. Also, makers of the film should go
for the publicity of the talkie portions rather than the music
because except for 'Parvar Digaar' to an extent, they don't have
enough ammunition to have the film's publicity rely on its music. |
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