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Cast:
Suniel Shetty, Upen Patel, Esha Deol,
Tanishaa, |
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Sameera Reddy, Tusshar Kapoor,
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Paresh Rawal |
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Year:
2008 |
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Music:
Raghav Sachar |
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Choreographer:
Ganesh Acharya |
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Screenplay
Writer:
Ashwani Dheer |
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Cinematographerr:
Nirmal Jani |
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Banner:
Big Screen Entertainment, Eros International |
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Producer
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Kumar Mangat, Sunil Lulla |
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Director:
Ashwani Dheer |
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Raghav
Sachar, the flamboyant musical sensation, who made notable
presence with offbeat Kabul Express, gets his first big
commercial opening in Bollywood with comical bhelpuri kind
musical stuff in One Two Three. Barring the exception of
semi-hit Manzar from Sunday he has been moreover recognized
as budding Indi-pop sensation with albums like Play it loud
and 24 Carat to his credits. The album showcases his
multifaceted skills as a mushrooming prodigy but the word
remarkable seems to be eluding him. |
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Track 1, 4, 7, 9 - Raghav Sachar inundates
his trendiest fusion of mixing vintage Bollywoods
oomph with upbeat similar to Anjane Chehre
orchestrations with hip-hop splurge into his filmi
career first multifarious presentation in title
track One Two Three Sachar collaborates
affably with gruffly voiced Kunal Ganjawala and
emceeing of Earl in oozing out a flippantly
hilarious title track that boasts loads of brazenly
poetic spells. Aditya Dhars frivolous wordings get
into two more versions while Munna Dhimans poetic
works excels in ballad version. |
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Sachar moistens his vocals chords in shimmering vocal tones
in One Two Three [Ballad] that is akin to sentimental
needs of the flick. There is more in store for appreciating
comical quotient with quizzically phrases making mood
merrier with different genres, moods, situations and vocals
mixing audaciously in emanating out hilarious binge in
One Two Three [Amalgamation]. New Punjabi sensation
Kaptan Ladi, Kailash Kher, Kshitij Tare and Aditya Dhar had
gibberish overtones of flippant wordings that should surely
be fitting well into characters needs and comical delight of
the film. The fourth version One Two Three [Club mix]
is a typical promotional feature work that outrageously
mixes seductive feminine oomph in delirious baritones with
lead vocalists Kunal Ganjawala and Raghav Sachar flashy
voices echoing and bulging out with enthralling disco beat
fillers. All four versions carry the titillating signature
feel of stylish comical flick with great aplomb and are
expected to be picking up well with ever growing promotion
in coming weekends. |
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Track 2 - Rock Mahi, a new style statement
for fire-cracking chemistry on dancing floors makes
mood bizarre with its enthralling upbeat
arrangements and rocking disco outbursts. After
rollicking Dil Hai Ye Dil Album Play it loud,
Sachars peculiar vociferous connotations connects
appreciably with husky paced Sunidhi Chauhan in
sizzling out a track that is musically reminiscent
to numbers like You are My Sonia (K3G). Its flashy
choreographic visual moves combined with glitzy
set-up will surely be igniting passion and craze for
this rollicking track. |
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Track 3, 6 - Gup Chup After
boisterously punched disco-thrills, the mood takes mushy
romantic maneuvers with Raghav Sachar making modest attempts
in proving his mettle as cordial vocalist in average
sounding Gup Chup. It has huge inspirational lift from
typical Chopra-Johar school of harmonic romanticism where
Mahalaxmi Iyers svelte vocals along with soft rock cum jazz
arrangements make impressive supple moves. Haughty and
puffed up vocals of Shilpa Rao sizzles out for its pulsating
Remix version with glistering beat juggling and DJ
claps taking on all hot n happening proceeding on floors. |
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Track 5 -
I Wanna Guy Brusquely paced Sunidhi Chauhan
gets into pop diva avatar in emoting out the passion
for dream boy in over-energized rock cum jazz solo
track I Wanna Guy. The lackluster arrangement, an
extra loud and screechy vocal coupled with insipid
jugalbandi of guy with jaye makes it an avoidable
affair. Even the outdated Arabic styled saxophone
notes mixed with thriller movies stylized background
score fails to embark anything flashy or
consequential to the track. |
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Track 8 -
Lakshmi Narayan Second lead actor Ninad Kamat had bleak
outing as singer with Police Police (SHIVA) and now he
returns with another fun-filled track that gist out all
leading characters and consequential situations and
happening in Lakshmi Narayan. It is composed on the
guidelines of earlier heard Ganpat (SHOOTOUT) where
bhai-giri gets glorified in a lingo and expressions of
nonsensically penned one-liners rendered through satirically
emoted actors voices. |
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ONE TWO
THREE is one of those comical extravaganza where musical
delights are relegated to backstage with bunch of slapstick
hilarious works taking over all the relevant proceedings.
Raghav Sachar misses out an opportunity that could have
flourished him in a league of upcoming lead contemporaries
but still he maintains the mood and tempo of the comical
subject. The title track and Rock Mahi are likely to be
sensation while rest of tracks will be faring from average
to below average for their monotonous, unresponsive and
routine display. |
